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Décor : Christian Bérard...

Evangeline : M. Ozeray...

Director : Louis Jouvet...

Musique : Vittorio Rieti...

And this is where memory’s gears begin spinning, and here is how what we call the miracle of the madeleine comes abo...

And this is where memory’s gears begin spinning, and here is how what we call the miracle of the madeleine comes abo...

And this is where memory’s gears begin spinning, and here is how what we call the miracle of the madeleine comes abo...

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LE CORSAIRE was an exception in Jouvet’s program at the Athénée. Marcel Achard was the author of very go...

Bérard’s decor was the cutaway view of a frigate, at once the scene of the action for the story of the Cors...

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But the sound of His music does not exhaust the memory of Vittorio Rieti : could I imagine, in the spring of 1938, that ...

But the sound of His music does not exhaust the memory of Vittorio Rieti : could I imagine, in the spring of 1938, that ...

or that he would paint other owl-frescoes on the walls of the house I used to work in ?...

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  ...

« -An angel with a woman’s lips… » -And one finds such creatures on the high seas? ...

Ah, I had forgotten…...

Miss Ozeray’s first name was Madeleine...

Paris 1938, théâtre de l'Athénée...

GEE : BUT BEFORE LEAVING THE « CORSAIRE » SEQUENCE … ...